The ninth edition of Teatro d’Amare kicked off, a festival promoted by Laboart with the artistic direction of Maria Grazia Teramo and Francesco Carchidi which this year brings to the center “The cure in the contemporary scene” with three days, until tomorrow when shows, installations and workshops will tell how the arts can make it a tool for inclusion and social regeneration.
“Since 2022 we have chosen to build every edition around a theme that could become a magnifying glass on reality: the absence, the house, the female – explain the artistic directors Teramo and Carchidi -. This year we have chosen to talk about care, or to welcome differences, give space to those who live fragility, transform margins into meeting places. Tropea will turn into stage for an open and shared reflection, including artists, scholars, operators, journalists and public ».
After the participatory comparison between scholars and operators in the opening debate «Arte-è-cura. The performative arts when they become a means of inclusion “, which kicked off the 2025 edition and the show” in my room the major Orsa “, the result of an annual academic path conducted by LaboArt, with the dramaturgy of Francesco Carchidi, who also took care of it together with Maria Grazia Teramo, today, at Palazzo Santa Chiara, among the other appointments will be the turn of Annalisa Limardi, at 19, with” no “. Performer deals with the external pressures, embodied by a microphone that pursues it with invasive questions – and at 20.30 at the garden of the Diocesan Museum, of “Larva”, of C&C Company, by and with Carlo Massari, the first act of the triptych “Metamorphosis”, a project on the thin border between man and beast, an investigation into the transformations, the changes, the physical and spiritual alteration of being a new one Nature, identity, form. On the last day, among others, at 6.45 pm in the garden of the Diocesan Museum the “sin” performance of Muchia Selvaggia, with Giorgia Conte and Martina Militano directed by Antonella Carchidi. A site-specific performance that transforms the space into a rite of deconsecration and reflection, inviting to question how the world could be different, if the events had taken other directions.
Teatro d’Amare is made with the contribution of the Municipality of Tropea, with the support of the Chamber of Commerce Catanzaro, Crotone, Vibo Valentia.