A classic myth that reflects contemporary human miseries: a journey back in time to discover that wars and conflicts often derive from incommunicability and atavistic prejudices. The Tindaria, a show brought successfully on stage in two filming in recent days (in Capo Rasocolmo and Milazzo) for the direction of the Messinese Francesco R. Vadalà is a reinterpretation of the myth of Elena and Clitemnestra: two sisters of different origin (Elena was the daughter of Zeus, Clitemnestra di Tindaro) and destiny, but united by the suffering caused by the war unleashed by the war. thirst for glory and power. A very current reason, considering the chronicles of these tormented years bloody by conflicts in several parts of the world. The key to the reading is represented by the woman, a symbol of a possible redemption to overturn a criminal and blind logic that has its roots in a patriarchal culture that borders the “female” to a simple spectator as well as the victim of actions and reactions that devastate daily life. The road indicated by the text written by Vadalà indicates precisely in the woman a possible way out of a tunnel in which humanity has been slipped for millennia through a complete reversal of the vision of things and moral principles from which to start again.
The all -female cast is very applauded, composed of Rosmary Calderone, Giovanna Farsaci, Claudia Gemelli, Elena Grasso and Giada Vadalà. The costumes were made by Antonella Grasso while the technical direction was entrusted to Carlo Oteri.
