The man and the artist, Fabio and Marracash, in a conflict resolved on stage: One needs the other to complete. Music to respond to man’s fragility, feelings to inspire what is expressed in notes: a mixture of Vibrations and rhythm that literally made the enthusiasm explode to the “Franco Scoglio”that of the followers of the “first hour” as well as those who today admire the melodic evolution, more pop but always hip hop, perhaps less street in the texts but certainly faithfully real.
A performance of one breath, a dialogue with its own self (almost ego) with the giant eye and the inner voice masterfully interpreted by the actress Matilda De Angelis. Theatrical impact, comparisons to interspers the “fire” of the “King del Rap”. Around setting dancers dressed as doctors and scientists, “called” to study the inner war and find the solutions. Then cabins and robotic arms, sparks and fireworks, nothing taken for granted while the songs follow one another: from “Power Slap” to “The skids have lost”, passing through “victim”.
A special stop the one in Sicily for Fabio Bortolo Rizzo, originally from Nicosia, who was able to greet parents, uncles and cousins, all present and well lined up in the grandstand islite. Almost the closure of a circle from the “duty suitcase”, to the tough years of the transfer to the Barona district of Milan, to the apprenticeship towards success. Told with words but above all with “the crumbs” and “us” were enough, dedicated to its roots.
Still “factotum”, to remember the value of the work, and a moving tribute to Ivan Graziani, a songwriter reference by Marra who inspired with “Florence (sad song)” also the song “The peace ended”, which also gave name to the seventh and last album.
A brief mention of “thrill”, melodic poetry painted with Guè, but also “crash”, “she” and “pentothal”, among the most loved in the recent. And the thanks, ironic but somehow sincere, for the “almost honorary degree”, proposed but which in the end was not attributed to him by the University of Messina.
In the videos behind him, a little to “wake him up” by who he was and has now become the incisive role of the agent Paola Zukar. Next to him, in every stage of the tour, physically there was Madame who, brilliant in his white dress, also enchanted Messina in a duet with “The Soul” and then as a soloist with “For your good”, before leaving room for the last burst: “Crazy Love”, “Cruelia”, “good at falling”.
An introspective path that, even perhaps surprisingly, left some expected hits to give space to the route out of the lineup, the first in the stadiums, which ended right on the banks of the Strait, in front of over 25 thousand spectators. And he will continue in the Palazzetti, starting from November 28 in Eboli.
To paint “will always be Marra, who will start from the wet air of the San Filippo valley, to continue the journey and enjoy the landscape, such as the painting of Monet recalled in” Happy End “.